Release date → March 2023 Stream//Download//Buy → https://lnk.to/LemniscateID Surrounded by a certain air of mystery and revered as a relic, The Art of Fugue is roundly praised for its complex, mathematical nature. However, these works are also movingly lyrical, and deserve to be enjoyed for their pure beauty, just as one enjoys the rhythms and sounds in the words of a poem, regardless of form and sometimes even meaning. Following the last version of J.S. Bach's autograph manuscript, New Collegium champions in "Lemniscate" the reconciliation and celebration of all these aspects, bringing to the fore both the cerebral brilliance as well as the emotive intensity of this iconic masterpiece, allowing it to be both light and profound. The rich instrumentation of woodwinds, brass, strings and harpsichord allows for expressive characters to be exaggerated, hints at other musical styles, and paints diverse atmospheres, infusing fantasy and life into these twenty fugues and canons. FACEBOOK→ www.facebook.com/OuthereMusic TWITTER → www.twitter.com/Outheremusic INSTAGRAM → www.instagram.com/outheremusic YOUTUBE → www.youtube.com/user/outheremusic WEBSITE → www.outhere-music.com #ClassicalMusic #OuthereMusic #OHMusic

Release date → May 2020 Stream//Download//Buy → https://lnk.to/CPEBach_EmpfindsamID Empfindsamer Stil or Empfindsamkeit developed in Germany by the middle of the 18th century with the main goal of expressing emotions in order to move the spectator. Carl Philipp Emanuel Bach, Johann Sebastian’s second son, was the composer who best represented the style’s ideals. Christoph Friedrich Nicolai, a contemporary critic, aptly described the merit of Bach’s ingenious originality: “Anyone who would wish to see such a truly original composer as our Bach freely go his own way, untrammelled by custom or fashion, will find his heart’s desire in these splendid, unique symphonies.” These qualities probably explain why his symphonies kept being played up to modern days. Emanuel Bach goes into the deepest of his sentimental expression, with delicate harmonies and well-designed melodic lines alternating with tortuous melodic leaps, painful harmonic progressions and outstanding cantabile writing. Tempests of notes and harmonies supported by temperamental accompaniments from the strings are followed by the most sublime cantabiles, passages in an almost galant style, with short and simple melodic motifs. Striking harmonies and dissonant leaps are combined with sudden fermatas to create the dramatic instability typical of Sturm und Drang. A veritable musical fireworks in a captivating rendering by New Collegium! FACEBOOK→ www.facebook.com/OuthereMusic TWITTER → www.twitter.com/Outheremusic INSTAGRAM → www.instagram.com/outheremusic YOUTUBE → www.youtube.com/user/outheremusic WEBSITE → www.outhere-music.com #ClassicalMusic #OuthereMusic #CPEBach

Evaristo Felice dall’Abaco (1675-1742) Concerto no. 1 in d minor from “Concerti a quattro da chiesa" op. 2 Largo - Allegro - Andante - Allegro assai live concert recording (The Hague, 30 June 2012) NEW COLLEGIUM violins 1: Monica Waisman (concertmaster/concertino), Seojin Kim, Annegret Hoffmann, Luca Alfonso Rizzello violins 2: Evan Few (concertino), Louella Alatiit, Enrique Gómez-Cabrero Fernández violas: SeungRok Baek, Antina Hugosson cello: Rebecca Rosen (concertino) double bass: Hen Goldsobel theorbo: Regina Albanez (concertino) harpsichord and direction: Claudio Ribeiro recording engineer: Tom van Messel www.newcollegium.com

New Collegium has a new CD, with a special selection of chamber music by Telemann! Released in the Spring of 2019 by RAMÉE/Outhere Music, 'Chamaleon' was awarded a Diapason d'Or (July 2019). No 18th century composer was so adept at so many musical styles as Georg Philipp Telemann. Telemann's versatility and inventiveness kept his musical style avant-garde during his entire life. He was not only praised by his contemporaries but was highly respected by the next generation: his fame was immense. Over the last 15 years of playing together, we were struck again and again by Telemann’s ability to expertly compose in such a variety of styles. That’s why we chose to make this CD, to show Telemann the chameleon, the breadth of his musical palette, and to make the listener wonder: is this truly a collection of music by just one composer, not six? Some of the pieces will undoubtedly sound familiar; others, such as the Italianate Trio for violin and cello obbligato, or the pastoral Trio for two violins in scordatura, will surely be delightful, new surprises for many. And, as the centerpiece of the recording, we have created our own suite of movements from Telemann’s highly respected publication 'Der getreue Music-Meister'. Effectively a world premiere! Inês d’Avena, recorder Sara DeCorso, baroque violin Antina Hugosson, baroque violin John Ma, baroque viola Rebecca Rosen, baroque cello Claudio Ribeiro, harpsichord and artistic direction Rainer Arndt, tonmeister www.newcollegium.com #newCDinthemaking

concert at ‘Itinéraire Baroque 2017’, the festival directed by Ton Koopman in France

George Frideric Handel Water Music Suite III, HWV 350 recorded live at the Utrecht Early Music Festival 2015 Geertekerk Utrecht, 2 September New Collegium Hiro Kurosaki (guest concertmaster), Kayo Saito, Diana Lee, Luca Alfonso Rizzello - violins 1 Cynthia Miller Freivogel, Ivan Iliev, Anna Waszak, Enrique Gomez - violins 2 John Ma, Zdeňka Procházková - violas Caroline Kang - cello Hen Goldsobel - double bass Inês d’Avena - recorder Clare Beesley - traverso Péter Tábori, Gilberto Caserio - oboes Gergő Farkas - bassoon Claudio Ribeiro - harpsichord and direction audio courtesy of Concertzender Nederland all rights reserved www.newcollegium.com